AVATAR: THE WAY OF WATER
AVATAR: THE WAY OF WATER

Finish assist: Conversion from a vertical to horizontal layout focused on repositioning & blending of mountainscapes, sky, water and atmospheric elements ensuring proper blending and alignment. For Disney via Lindeman & Associates.

SERVANT
SERVANT

Assist - Digitally painted wrinkles / folds on red dress to realistically interact with hands. For Apple TV via Lindeman & Associates.

AVATAR: THE WAY OF WATER (JAPAN RELEASE)
AVATAR: THE WAY OF WATER (JAPAN RELEASE)

Digitally painted flying Ikran and extension of the mountainscape for Disney via Lindeman & Associates

Blue Beetle
Blue Beetle

Masking assist on multiple characters for Warner Bros via Lindeman & Associates

GUARDIANS OF THE GALAXY VOL. 3
GUARDIANS OF THE GALAXY VOL. 3

Retouching, masking & digitally painted lighting effect on Quill’s character for Marvel via Lindeman & Associates

PIRATES OF THE CARIBBEAN
PIRATES OF THE CARIBBEAN

Retouching & digital paint on stone jewelry. For Disney via Daniel Clark & Associates

CONDOR'S NEST
CONDOR'S NEST

Finisher role for Voltage Pictures via Lindeman & Associates

CAPTAIN AMERICA: CIVIL WAR
CAPTAIN AMERICA: CIVIL WAR

Retouching & hair masking on various characters for Marvel via Daniel Clark & Associates

ALTERED CARBON
ALTERED CARBON

RAW processsing, Retouching, masking and color correction for Netflix via GNET Agency

THE PUNISHER
THE PUNISHER

RAW processsing, retouching & masking for Netflix/Marvel via GNET Agency

ALTERED CARBON
ALTERED CARBON

RAW processsing, Retouching, masking and color correction for Netflix via GNET Agency

HOW I MET YOUR FATHER
HOW I MET YOUR FATHER

Finishing on characters. Masking, compositing & build , retouching & digital paint for Hulu via Lindeman & Associates

I AM THE NIGHT
I AM THE NIGHT

Finisher role: Retouching, digital lighting, color correction for TBS via Palaceworks Inc

AVATAR: THE WAY OF WATER
AVATAR: THE WAY OF WATER

Finish assist for detail and color correction work on Avatar character shots series. For Disney via Lindeman & Associates.

THE PUNISHER
THE PUNISHER

RAW processsing, retouching & masking for Netflix/Marvel via GNET Agency

WOOD CHUCK CHUCK
WOOD CHUCK CHUCK

Finisher role + Team illustration for Big Bad Tomato Creative Group: Original drawing by Lionel Ordaz. Digitally painted characters, logs and finishing by Oscar Rodriguez. Project was conceived to be 3D animated. The goal here was to paint a poster in Photoshop with a “3D rendered look”. Click here for BEFORE & AFTER from sketch to digital paint.

DOWNTON ABBEY
DOWNTON ABBEY

Retouching and masking on multiple characters for Universal via BOND agency

STRAYS
STRAYS

Masking / head composite for Universal Pictures via Lindeman & Associates.

DETECTIVE KNIGHT INDEPENDENCE
DETECTIVE KNIGHT INDEPENDENCE

Retouching & masking on main character for Lionsgate Films via Lindeman & Associates

Never Goin' Back
Never Goin' Back

Retouching, digital painting to detail and sharpen image details for Mama Bear Studios via Palaceworks Inc.

Altered Carbon
Altered Carbon

RAW processsing, retouching, masking, and color correction for Netflix via GNET Agency

ALTERED CARBON
ALTERED CARBON

RAW processsing & retouching for Netflix’s Altered Carbon via GNET Agency

ALTERED CARBON
ALTERED CARBON

RAW processsing, Retouching, masking and color correction for Netflix via GNET Agency

I AM THE NIGHT
I AM THE NIGHT

Finisher role: Retouching, digital lighting, color correction for TBS via Palaceworks Inc

Billboard photo by Palaceworks Inc

AVATAR: THE WAY OF WATER
SERVANT
AVATAR: THE WAY OF WATER (JAPAN RELEASE)
Blue Beetle
GUARDIANS OF THE GALAXY VOL. 3
PIRATES OF THE CARIBBEAN
CONDOR'S NEST
CAPTAIN AMERICA: CIVIL WAR
ALTERED CARBON
THE PUNISHER
ALTERED CARBON
HOW I MET YOUR FATHER
I AM THE NIGHT
AVATAR: THE WAY OF WATER
THE PUNISHER
WOOD CHUCK CHUCK
DOWNTON ABBEY
STRAYS
DETECTIVE KNIGHT INDEPENDENCE
Never Goin' Back
Altered Carbon
ALTERED CARBON
ALTERED CARBON
I AM THE NIGHT
AVATAR: THE WAY OF WATER

Finish assist: Conversion from a vertical to horizontal layout focused on repositioning & blending of mountainscapes, sky, water and atmospheric elements ensuring proper blending and alignment. For Disney via Lindeman & Associates.

SERVANT

Assist - Digitally painted wrinkles / folds on red dress to realistically interact with hands. For Apple TV via Lindeman & Associates.

AVATAR: THE WAY OF WATER (JAPAN RELEASE)

Digitally painted flying Ikran and extension of the mountainscape for Disney via Lindeman & Associates

Blue Beetle

Masking assist on multiple characters for Warner Bros via Lindeman & Associates

GUARDIANS OF THE GALAXY VOL. 3

Retouching, masking & digitally painted lighting effect on Quill’s character for Marvel via Lindeman & Associates

PIRATES OF THE CARIBBEAN

Retouching & digital paint on stone jewelry. For Disney via Daniel Clark & Associates

CONDOR'S NEST

Finisher role for Voltage Pictures via Lindeman & Associates

CAPTAIN AMERICA: CIVIL WAR

Retouching & hair masking on various characters for Marvel via Daniel Clark & Associates

ALTERED CARBON

RAW processsing, Retouching, masking and color correction for Netflix via GNET Agency

THE PUNISHER

RAW processsing, retouching & masking for Netflix/Marvel via GNET Agency

ALTERED CARBON

RAW processsing, Retouching, masking and color correction for Netflix via GNET Agency

HOW I MET YOUR FATHER

Finishing on characters. Masking, compositing & build , retouching & digital paint for Hulu via Lindeman & Associates

I AM THE NIGHT

Finisher role: Retouching, digital lighting, color correction for TBS via Palaceworks Inc

AVATAR: THE WAY OF WATER

Finish assist for detail and color correction work on Avatar character shots series. For Disney via Lindeman & Associates.

THE PUNISHER

RAW processsing, retouching & masking for Netflix/Marvel via GNET Agency

WOOD CHUCK CHUCK

Finisher role + Team illustration for Big Bad Tomato Creative Group: Original drawing by Lionel Ordaz. Digitally painted characters, logs and finishing by Oscar Rodriguez. Project was conceived to be 3D animated. The goal here was to paint a poster in Photoshop with a “3D rendered look”. Click here for BEFORE & AFTER from sketch to digital paint.

DOWNTON ABBEY

Retouching and masking on multiple characters for Universal via BOND agency

STRAYS

Masking / head composite for Universal Pictures via Lindeman & Associates.

DETECTIVE KNIGHT INDEPENDENCE

Retouching & masking on main character for Lionsgate Films via Lindeman & Associates

Never Goin' Back

Retouching, digital painting to detail and sharpen image details for Mama Bear Studios via Palaceworks Inc.

Altered Carbon

RAW processsing, retouching, masking, and color correction for Netflix via GNET Agency

ALTERED CARBON

RAW processsing & retouching for Netflix’s Altered Carbon via GNET Agency

ALTERED CARBON

RAW processsing, Retouching, masking and color correction for Netflix via GNET Agency

I AM THE NIGHT

Finisher role: Retouching, digital lighting, color correction for TBS via Palaceworks Inc

Billboard photo by Palaceworks Inc

show thumbnails